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LATEST NEWS
2010 Charity Golf Event – Another Huge Success
RW Salt Hosted its fifteenth annual charity golf event on July 8th at Shaw Hill Golf & Country Club in Lancashire. The event was attended by one hundred and thirty industry guests of which sixty… Read more…Posted: Wed 28th Jul 2010
Did You Get Your Catalogue?
Our new fully illustrated 2010/11 full colour catalogue was published in July. If you’re a trade installer and haven’t received a copy simply contact us via the web site and we’ll get… Read more…Posted: Wed 28th Jul 2010
AUDEX Looking Good For 2010
AUDEX, our own commercial and professional audio exhibition, will once again be held on 6th October this year at Manchester City FC So far the stands are 90% sold with only a few remaining. As always… Read more…Posted: Wed 28th Jul 2010
Time for a bit of a clear out
Due to the vast array of products that we can supply, we do occasionally get left with items that are no longer current or are in grade B condition as they have been returned. We have compiled a list… Read more…Posted: Tue 20th Jul 2010
Whats New!
To keep you informed of all the latest additions to our product pages we've created a new area: Whats New! You can find this new area by simply rolling over the Products link on the left and clicking… Read more…Posted: Mon 5th Jul 2010
Trade Counter Completed
R.W.Salt are pleased to announce the opening of their newly built trade counter, which is now open for custom. This is a place to drop off returns and repairs, collect orders or literature, or just have… Read more…Posted: Thu 15th Apr 2010
VENICE 240
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Venice is Midas' first truly compact console built in direct response to customer demand. It does exactly what was asked in that it provides a high quality alternative in a huge number of applications where previously Midas was not an option. These range from smaller conference or live band applications, to effects returns or additional inputs in a large multi-console application, or indeed as part of a small complete mobile system. It also provides the perfect feature set for live acts who need to mix their own FOH and monitor sound from on-stage, and is compact and light enough to fit on even the most cramped performance area.
As usual, Midas has paid attention to the details that set their consoles apart taking care to provide high quality mic preamps and a stable, responsive EQ section, just as they do on their larger consoles. The simple but intuitive outputs make the overall configuration of the console extremely quick and easy to use.
Optional Extras:
Venice PSU - Power Supply Unit for use with Venice Series Mixers
G/Neck Venice - Gooseneck Lamp 12" XLR 4 Pin
VINTX - M - Input Transformer
| Features and Specifications | Venice 240 | ||
|---|---|---|---|
| Inputs (total) | 38 | ||
| Mono-Inputs (Mic/Line) with Inserts | 16 | ||
| Stereo-Line/Mono-Mic-Input Channels | 4/4 | ||
| Stereo-Effect-Returns (Line) | 4 | ||
| Stereo-Tape-Return (Line) | 1 left/right | ||
| Â | Â | ||
| Busses | 15 | ||
| Subgroups | 4 | ||
| Aux Pre-Fader (Monitor) | 2 | ||
| Aux Post-Fader (Effects) | 2 | ||
| Aux switchable Pre/Post-Fader | 2 | ||
| Master L/R | 2 | ||
| Mono-PFL | 1 | ||
| Stereo-AFL | 2 | ||
| Â | Â | ||
| Outputs | Â | ||
| Subgroups (with Inserts) | 4 impedance balanced 1/4 inch jacks | ||
| Aux Pre-Fader (Monitor) | 2 XLR (balanced) | ||
| Aux Post-Fader (Effects) | 2 impedance balanced 1/4 inch jacks | ||
| Aux switchable Pre/Post-Fader | 2 XLR (balanced) | ||
| Master (with Inserts) | 2 XLR (balanced) | ||
| Master B Out (switchable Mono/Stereo, pre-post Fader) | 2 XLR (balanced) | ||
| Tape Send (Recording) | 1 Stereo (Phono) | ||
| Direct Outputs (1/4 inch Jack) | 16 | ||
| Stereo-Headphones | 2 Stereo-1/4 inch jack | ||
| Stereo-Speakers | 2 impedance balanced 1/4 inch jacks | ||
| Â | Â | ||
| Size (mm/inch) | Â | ||
| Width | 698 / 27.5“ | ||
| Depth | 568 / 22.4“ | ||
| Heights | 194 / 7.6“ | ||
| Â | Â | ||
| Weight (kg/lbs) | 21,1/ 46.5 | ||
| Â | Â | ||
| Power Consumption | 95W | ||
| Â | Â | ||
| Mains Voltage | 110V/120V/220V/230V/240V, 50-60Hz | ||
| Â | Â | ||
| Additional Features | Â | ||
| Connector for desk lamps | 2 x 12V/5W (4-Pin XLR) | ||
| 19“-rack-mounting- kit | yes | ||
| Rotatable connector panel | yes | ||
| External Power Supply (EPS 1200, not included) | yes | ||
| Â | Â | ||
| Accesories | Â | ||
| | Dust Cover (included) | ||
| Â | 12 V Desk Lamp (not included) | ||
| Â | Input Transformer (not included) | ||
Â
Venice Technical Specifications | Â | Â |
|---|---|---|
Input Impedance | Mic | 2k Balanced |
 | Line | 20k Balanced |
 |  |  |
| Input Gain | Mic | Continuously variable from 0dB to + 60dB |
| Â | Line Mono Channel | Continuously variable from - 20dB to + 40dB |
| Â | Line Stereo Channel | Continuously variable from - 20dB to + 20dB |
| Â | Line Level Inputs | 0dB |
| Â | Â | Â |
| Maximum Input Level | Mic | + 22dBu |
| Â | Line Level Inputs | + 22dBu |
| Â | Line Mono Channel | + 42dBu |
| Â | Line Stereo Channel | + 28dBu |
| Â | Â | Â |
| CMR at 100Hz | Mic (gain + 40dB) | Typ. 75dB |
| CMR at 1kHz | Mic (gain + 40dB) | > 85dB |
| Â | Line | > 45dB |
| Â | Â | Â |
| Frequency Response (20 to 20kHz) (gain + 60dB) | Mic to Mix | + 0dB to - 1dB |
| Â | Â | Â |
| Noise (20 to 20kHz) (gain + 60dB) | Mic EIN ref. 150ohms | - 129dBu |
| Â | Â | Â |
| System Noise (20 to 20kHz) | Â | Â |
| Â | Summing Noise (16 channels routed with faders down) | - 90dBu |
| Â | Â | Â |
| Â | Line to Mix Noise (16 channels routed at 0dB, pan centre) | - 86dBu |
| Â | Â | Â |
| Distortion at 1kHz | Mic to Insert (+ 30dB gain, + 20dBu output) | Typ 0.0007% |
| Â | Â | Â |
| Â | Mic to Mix (+30dB gain, + 20dBu output) | < 0.009% |
| Â | Â | Â |
| Crosstalk at 1kHz | Channel to Channel | < - 80dB |
| Â | Mix to Mix | < - 80dB |
| Â | Channel to Mix | < - 80dB |
| Â | Fader Attenuation | > 100dB |
| Â | Switch Rejection | > 100dB |
| Â | Â | Â |
| Output Impedance | All Line Outputs | 75 Ohms Balanced Source |
| Â | Headphones | To drive 32ohms |
| Â | Â | Â |
| Maximum Output Level | Master Outputs on XLR | + 25dBu |
| Â | All other Outputs on XLR | + 22dBu |
| Â | All Outputs on 1/4 inch jacks | + 22dBu |
| Â | Headphones | + 22dBu/600ohms |
| Â | Â | Â |
| Nominal Signal Level | Mic | - 60dBu to 0 dBu |
| Â | Line | 0dBu |
| Â | Â | Â |
| Equaliser Mono Channel | Hi Pass Slope | 12dB / Oct |
| Â | Hi Pass Frequency | 80Hz |
| Â | Â | Â |
| Â | Treble Gain | Continuously variable + 15 dB to - 15 dB Centre detent = 0dB |
| Â | Â | Â |
| Â | Treble Frequency | 12k |
| Â | Â | Â |
| Â | Hi Mid Gain | Continuously variable + 15 dB to - 15 dB Centre detent = 0dB |
| Â | Â | Â |
| Â | Hi Mid Frequency | Continuously variable Centre from 400Hz to 8k Hi Mid Bandwidth 1 Oct. (Q = 1.4) |
| Â | Â | Â |
| Â | Lo Mid Gain | Continuously variable + 15 dB to - 15 dB Centre detent = 0dB |
| Â | Â | Â |
| Â | Lo Mid Frequency | Continuously variable Centre from 100Hz to 2k |
| Â | Â | Â |
| Â | Lo Mid Bandwith | 1 Oct. (Q = 1.4) |
| Â | Â | Â |
| Â | Bass Gain | Continuously variable + 15 dB to - 15 dB Centre detent = 0dB |
| Â | Â | Â |
| Â | Bass Shelving Frequency | 80Hz |
| Â | Â | Â |
| Equaliser Stereo Channel | Hi Pass Slope | 12dB / Oct |
| Â | Hi Pass Frequency | 80Hz |
| Â | Â | Â |
| Â | Treble Gain | Continuously variable + 15 dB to - 15 dB Centre detent = 0dB |
| Â | Â | Â |
| Â | Treble Frequency | 12k |
| Â | Â | Â |
| Â | Hi Mid Gain | Continuously variable + 15 dB to - 15 dB Centre detent = 0dB |
| Â | Â | Â |
| Â | Hi Mid Frequency | 3k |
| Â | Â | Â |
| Â | Hi Mid Bandwidth | 1.4 Oct. (Q = 1) |
| Â | Â | Â |
| Â | Lo Mid Gain | Continuously variable + 15 dB to - 15 dB Centre detent = 0dB |
| Â | Â | Â |
| Â | Lo Mid Frequency | 300Hz |
| Â | Â | Â |
| Â | Lo Mid Bandwidth | 1.4 Oct. (Q = 1) |
| Â | Â | Â |
| Â | Bass Gain | Continuously variable + 15 dB to - 15 dB Centre detent = 0dB |
| Â | Â | Â |
| Â | Bass Shelving Frequency | 80Hz |